27/24
After 20 years, Odysseus finally returns to Ithaca to find his wife imprisoned by rival suitors for kingship and his son threatened with death. Odysseus must rediscover his strength to reclaim his family and all that he has lost. Ralph Fiennes and Juliette Binoche starred together in a film for the third time, having previously collaborated on The Last Supper (1992) and The Last Supper (1996). Penelope: How Men Can Find Their Way Home. Focusing on immersing the viewer in the multi-faceted pain and suffering of Penelope and Odysseus as Odysseus returns home to Ithaca, this treatise systematically explores the issues many soldiers face after returning from active duty, including post-traumatic stress disorder and other mental health issues, reintegration issues, past lives with family and society, and the memory of memories of experiences and memories of pain and the resulting internal changes. The Return relies on an excellent cast to allow the viewer to experience the rollercoaster ride of the two main characters as they reach extraordinary heights, the latter thanks to the unique and special resilience of Penelope and Odysseus during this difficult period in their lives. and without the support of each other. In fact, the two are kept separate for most of the film, which only enhances the catharsis in the most intense, thriller-like later part of the film, which is shot at a slower pace. Fiennes brings his own unique style of portraying suffering to this work, a great development of his great skills from his parallel portrayals of pain and suffering in Spider and The End of the Affair. Binoche is the perfect choice for Penelope because the audience could be tricked a little, given the feeling and hope that these two will reconnect in the same way they were close in The English Patient, and Pasolini uses this to create an additional tension in this work for those who were close throughout The English Patient, the memories are vivid. It is a wonderful and very important work that needs to be experienced!